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Wahid x feast, by ravens

Second-generation Jamaican, Floridian rapper Wahid shares his new EP ‘feast, by ravens’, out now.  The EP includes singles “SOLSTICE” and “Mezcal”, both have seen praise from Dazed’s Only Tracks You Need To Hear, COLORSxSTUDIOS, CLASH Magazine’s Astral Realm and Okay player’s Round-Up. Last year’s two-track EP “WILT/CORNERSTONE” was his debut which landed him in Complex-Pigeons and Planes’ highly respected Best New Artists feature for their October edition.

Through Wahid’s sonic storytelling he refuses to submit to negativity and fatalism. His hip-hop collective had just wrapped their first national tour. Their DMs were flooded with A&Rs offering deals and producers looking to collaborate. Then the group split up. It was over before it even began. The ensuing depression was all-consuming. There were days where Wahid didn’t budge from bed, drawing the blinds closed, and numbing the wounds with bottle after bottle of liquor. Despite his best efforts to salvage the wreckage, none of his attempts yielded anything positive. But through the duress, he discovered his inner resilience and perseverance. The results are manifest on his debut Innovative Leisure EP, feast, by ravens – an artful refusal to submit, and a testimonial to the indomitability of the human spirit. The title of the project comes from the parable of Elijah in the Book of Kings.

If you’re looking for comparisons, let’s start with if Black Thought was born two decades later and raised in Central Florida by a Jamaican DJ father who raised his progeny on a booming system of rocksteady, dancehall and reggae dubplates. As a teenager in the late 00s, his older brother exposed him to the classics of hip-hop’s second Golden Age. As Wahid describes it: “Nas made me want to rap, listening to the GZA’s Liquid Swords made me good at it, and Black Thought helped me refine my skills.”

Check out the Bandcamp feature for more info on the EP.

Peel x Cycle


Peel have shared “Cycle,” the latest preview off their debut album Acid Star, out March 29th. The creative partnership of Sean Cimino and Isom Innis, their bond was initially formed as touring members of Foster The People (now both official members live & on record). The two developed a musical language all their own over the years, ideas coalescing organically until the eventual birth of Peel. Inspired in part by genre-bending Creation Records bands like Primal Scream and Madchester groups like Happy Mondays, Acid Star expands on the industrial edge of early Peel, adding layers of psychedelia, electronica, and even reverb soaked freak folk.

Over an interlocking matrix of arpeggiating synths and a hooky bassline, the band repeat the mantra “cycle, only one that I know, only one in my head” before slipping into a hauntingly beautiful, pitched down outro. 

For Acid Star, the duo began by tapping into the music that they liked as kids. That is, the music they gravitated toward before they had “any taste or judgment,” as Innis puts it. “If you think too hard, and you try too hard, you can kind of ruin the expression that comes out,” he adds. “But there’s something about trying to recreate a song that was in my DNA before taste came into it that just sounded, listening back, like it had a lot of energy and life.”

The opener, “Y2J,” was one of the results of that childhood-song experiment, and is, appropriately enough, named in reference to Y2K. “Climax,” a song inspired by the 2018 Gaspar Noé movie of the same name, is a rocket-ship ride of a tune, as much within Nile Rodgers’ wheelhouse as Spoon’s. 

Each side of the album is bookmarked by ghostly ballads—“Acid Star” and “The Cloak”—both driven by acoustic guitar and gentle vocals that push home the crucially melodic underbelly of Peel itself. “You’re smiling, laughing there, my acid star,” sings Cimino on the former song, an ode to an idea of a certain ephemeral and untouchable type of rock god. “That lyric is a tribute to the power of words beyond our everyday use,” Cimino says. “I was thinking of a term for someone, something, or an idea that is so meaningful—almost too important.” When it came time to decide what to name the album itself, it was right there in front of them.

Check Metal Magazine for more information on the upcoming album.

Maria Chiara Argirò x Light


Maria Chiara Argirò’s forthcoming album Closer is a testament to her journey of self-exploration, and a manifestation of her profound connection with music. Rooted in an indescribable feeling that compelled her to create, the album transcends boundaries and tranverses the spectrum of electronic music with unparalleled depth and clarity.

Today she’s shared Closer’s opener “Light” - an alluring and infectious synth-pop hit. Argiró says, "It’s about establishing a lighter and balanced relationship with your inner self and consequently with others. Connect genuinely with yourself and others by exploring life in a 'soft' and 'lighter' way, without the need to force things to happen.” The single comes with another immersive video from director Raoul Paulet who describes it, “A mesmerising and kaleidoscopic journey made of colourful and flashy street lights at night in London.” 

Argirò has been a central figure in the UK electronic, jazz and classical worlds since she moved to London from Rome over a decade ago. A skilled pianist since childhood, she’s collaborated with everyone from These New Puritans to Jono McCleery to Jamie Leeming alongside output with Moonfish. Her previous solo album, the stunning electronic jazz-fusion record Forest City, received widespread critical acclaim from the likes of The Guardian, The Fader, Vogue, Rolling Stone and Pitchfork who described Maria's sound: "Hazy, downtrodden vocal harmonies blend with aquatic synth arpeggios that mirror the tide, like Azure Ray singing over Thom Yorke compositions." Her music has featured in the Netflix series, Elite, and she can count the likes of Four Tet and Gilles Peterson as fans, with the latter describing her music as “absolutely crazy good”. 

The result of this journey, both sonic and personal, can be keenly felt on Closer. While it is definitely not a concept album, the record does mirror the path of inner self-exploration that Argirò has been on. Albeit moving in unpredictable ways, as it traverses the spectrum of electronic music spanning ambient to dance music, while also retaining light touches of jazz with a leaning towards experimental pop via Argirò’s more central and up-front vocals. 

On the album, Maria says: “It is about a feeling, a dreamlike feeling in motion, a feeling that we cannot describe, a dream I’m sort of walking through. Emotions/dreams/feelings that sometimes you can just imagine, a dreamlike world where we walk through to get to the core of ourselves a bit more, even if things are completely undefined and blurry. While working on the music there was this strong feeling - at times blurry and at times more defined - of getting, with every single note, closer and closer to the person I want to be. Free. Curious and consequently Aware, Connected and Closer to the people I love. There is so much noise in this world, I think being direct, gentle, light, open and connected is the key.”

See Clash for more details about the single and forthcoming project.

Peel x OMG

Los Angeles duo Peel have shared “OMG,” the latest preview off their debut album Acid Star, out March 29th via Innovative Leisure. A rich sonic tapestry that shows off the duo’s songwriting chops and wide ranging influences, the band’s Isom Innis shares that the song is “about a psychedelic experience I had with my wife where I could see all these beautiful geometric shapes shooting from her forehead. Looking back, I think we tapped into a nostalgic space where a lot of musical ideas flowed in a very short amount of time.”

The creative partnership of Sean Cimino and Isom Innis, their bond was initially formed as touring members of Foster The People (now both official members live & on record). The two developed a musical language all their own over the years, ideas coalescing organically until the eventual birth of Peel. Inspired in part by genre-bending Creation Records bands like Primal Scream and Madchester groups like Happy Mondays, Acid Star expands on the industrial edge of early Peel, adding layers of psychedelia, electronica, and even reverb soaked freak folk, as seen on the title track. 


OMG” is preceded by singles Y2J,” a psychedelic dance tune with dream pop elements, Acid Star,” a hallucinatory comedown of washed out acoustic guitars, and “Climax,” which Paste Magazine praised as a “unique convergence of post-punk, electronica and psychedelia.”

Wahid x SOLSTICE

Second-generation Jamaican, Floridian rapper Wahid shares his new single “SOLSTICE” from his new EP ‘feast, by ravens’, out 22nd March.

SOLSTICE” unleashes a pure controlled rage through a rapid-fire barrage of words. It embodies the blurred vision and high speed of a life spiraling out of control. There are dead friends and wounded egos, empty bottles and sonic booms. There is the burning desire to wake up from the nightmare, but the nagging fear that you might be permanently stuck. “This record to me is the sibling of Mezcal, but a lot darker.” explains Wahid. “It’s more aggressive in its expression of these thoughts and actions I feel or have felt while binging on my said vice. If Mezcal is the high, SOLSTICE is the crash and burn.” It follows his vibes-heavy party track “Mezcal” - a song tied together by personal anecdotes of a love-hate relationship with liquor.

Last year’s two-track EP “WILT/CORNERSTONE” was his debut, which landed him in Complex-Pigeons and Planes’ highly respected Best New Artists feature for their October edition.

Through Wahid’s sonic storytelling he refuses to submit to negativity and fatalism. His hip-hop collective had just wrapped their first national tour. Their DMs were flooded with A&Rs offering deals and producers looking to collaborate. Then the group split up. It was over before it even began. The ensuing depression was all-consuming. There were days where Wahid didn’t budge from bed, drawing the blinds closed, and numbing the wounds with bottle after bottle of liquor. Despite his best efforts to salvage the wreckage, none of his attempts yielded anything positive. But through the duress, he discovered his inner resilience and perseverance. The results are manifest on his debut EP, feast, by ravens – an artful refusal to submit, and a testimonial to the indomitability of the human spirit. The title of the project comes from the parable of Elijah in the Book of Kings.